Music Archive

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Ben Folds and Lady Danville

Tuesday night, Amy and I had the pleasure of seeing Ben Folds at the Beacon Theatre in New York City. The night’s entertainment began with an opening set featuring a band new to me, Lady Danville. Though they play instruments, the band was formed out of an a cappella tradition in Los Angeles in 2007 and has been touring with Ben recently.

Not only do they play your standard rock instruments like piano, guitar, and drums, but they rock the glock and uke as well. After the jump, I’ve shared videos of their songs I Want You Back (featuring Ben Folds and the ukelele) and Bed 42 (featuring the glockenspiel). At the concert, I was struck by the band’s harmonies; even with only three voices, they managed to produce rich vocals. I recommend checking them out as they open for Dashboard Confessional on next year’s tour; feel free to leave the show before the main act performs.

Ben Folds is a masterful pianist. This might be news for anyone whose only exposure is his appearance as a competent judge on NBC’s singing group contest show, The Sing-Off.

For those who have never been to a Ben Folds show, there always seems to be a point when there is a lull between songs, and people start shouting song requests. What makes this different than other rock shows is that, through tradition, people often yell a request for Rock This Bitch. From what I can tell, this originated from a concert many years ago during which an audience member randomly yelled out, “Rock this, bitch!” (note the difference in inflection and meaning). Ben Folds proceeded to improvise a song based on this phrase and the song was eventually included on an official recording.

In Tuesday night’s concert, the request for Rock This Bitch was followed by the cliche drunken rock request of Free Bird by Lynyrd Skynyrd. Although he claims to not know the song, he pounded it out on the keys, incorporating the first requested song, in a clever improvisation.

The last time I saw Ben Folds live was several years ago, and I don’t remember if he had his synth keyboard at the time. There were three of these red keyboards on stage, and they produced some amazing sounds. Searching the internet, I was able to find a photograph of the set-up that had enough detail to make out what it is. Along with his piano, Ben plays a Nord Lead 2 keyboard, although the branding has been somehow modified to appropriately read “Nerd Lead” instead of “Nord Lead.” I have found the next musical object of my desire.

His latest record, Lonely Avenue, featuring lyrics by author Nick Hornby (Juliet, Naked, About a Boy, Fever Pitch, High Fidelity) is really growing on me.

One annoying aspect of the concert was the security. There was no announcement regarding flash photography or video recording, but concert-goers should assume that this wouldn’t be allowed. Since we were in the fourth row of the orchestra seating area and on the aisle, we were close to the security guard who was sitting at the lip of the stage in the aisle, facing the audience. Every three minutes he stood up to reprimand one of the same four people in the immediate vicinity who were recording videos with compact digital cameras.

Of course, without stealth concert recorders, those willing to put their lives at risk through copyright infringement for the sake of sharing music, I wouldn’t be able to share the videos below.

Keep reading for some videos. Read the rest of this entry »

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Ben Folds and William Shatner

Musician Ben Folds, one third of the former trio Ben Folds Five (and medium format photographer), must be BFFs with William Shatner. The former captain of the Enterprise teamed up with Ben for the musician’s side project, Fear of Pop. Shatner has a distinctive style of singing that most people would not call “singing.”

Some time after this first collaboration, William became the spokesperson for Priceline. In one commercial, he played against an evil William Shatner, with the requisite goatee, reminiscent of the archetypal evil twin Spock in the classic Star Trek episode, “Mirror, Mirror.” But more importantly, one commercial featured Shatner “singing” with piano accompaniment. The piano was manned by Ben, practically unidentifiable in comparison with the legendary Shatner. The first time I saw the commercial, I was unaware of the actor’s relationship with Ben Folds and the combination struck me by surprise.

William Shatner is now continuing his domination of television with a show I expected to be horrible: “Shit My Dad Says,” the show spelled, “$#*! My Dad Says,” and pronounced, “Bleep My Dad Says.” How good could a television show based on a Twitter feed really be? Well, it’s not so bad. In fact, a recent episode featured a good criticism of self-help gurus — people for which I, like the writers of this episode, have little respect.

The best part of the show is that the theme music and all of the interstitial music is performed by Ben Folds. Check out the short opening credit sequence after the jump. The full song, “Your Dogs,” is on Ben’s latest album and collaboration with author Nick Hornby, Lonely Avenue. Read the rest of this entry »

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TheGoodLife at City Streets

Earlier this year, my first attempts at concert photography produced a lot of garbage. City Streets Cafe in East Windsor (New Jersey) is a bar and restaurant that has become the home for Bryan Douglas’s band, TheGoodLife. The band performs covers of today’s hot hip hop and pop music. I suggest seeing the band this coming Friday, the day after Thanksgiving, at City Streets in celebration of their first anniversary. I’m going to try to make the show, but I’ll be flying back from Los Angeles earlier that day and may not make it in time.

Getting quality photographs is a struggle at this venue. Like most bars, it’s dark, and with the band’s colorful and hyperactive lighting set-up, you never know what color you’re going to get. In the future, I’ll need to look out for stray spotlights.

Particularly with this shoot, it’s evident that the photographer’s job is not done once the memory card is full and the lens cap is placed back on the lens. My first attempts at post-processing shots from City Streets did not result in normal-looking final products. You can see some of the earlier attempts in the Flickr set linked below.

My post-processing skills have continued to improve though I’m still working on developing (get it?) the best methods.

View some of the selected photographs after the jump.

For the full set — not the full full set, because that would be about 1,200 photographs over three nights — take a look at the best 81 shots in this set on Flickr. Read the rest of this entry »

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Beck in AT&T Blackberry Torch Commercial

This is the latest in a series about good music in commercials, if two posts does, in fact, constitute a series. This is Beck, known worldwide for his memorable guest star stint in an episode of Futurama ten years ago. Also, his albums with groovy beats are quite good. Even Sea Change had a number of excellent tracks.

The music in this ad is from the song “Black Tambourine” on Guero. Listen to the music after the jump. Read the rest of this entry »

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Massive Attack in Lincoln Car Commercial

I enjoy about half the tracks on Massive Attack’s latest album, Heligoland, but after the first listen a few months ago I immediately identified Paradise Circus as the stand-out cut. I wasn’t the only one; a unique remix was recently used in a television commercial for the 2011 Lincoln MKX.

I didn’t expect Massive Attack to pop up in such a commercial commercial, but the group has donated all income from the production of music for the commercial to the clean-up effort in the Gulf of Mexico. This is a responsible way to offset money earned from the auto industry.

The commercial use of Paradise Circus is in stark contrast with the official video (NSFW), featuring a former small-time porn star reminiscing on her video work during the 1970s, against the song as a backdrop.

Watch the commercial — and more importantly, listen to the music — after the jump. Read the rest of this entry »

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